for young voices and piano | 2023 | 6’

‘come, and I will sing you’ are two songs for young voices and piano, taking their inspiration from folk song from Devon which have found their way to Newfoundland in Canada over the centuries.

for SATB choir (divided) | 2020 | 4’

‘suo’ for SATB choir, dedicated to my mother, was written as for the National Youth Chamber Choir of Great Britain, as part of the NYCGB Young Composers Scheme 2019-20.

for oboe and bassoon | 2024 | 10’

‘No other haven’ is a series of four short works for oboe bassoon, commissioned by Cerddwn for Sinfonia Cymru

for string quartet | 2023 | 6’

Written for the 2023 Whiddon Autumn Festival, ‘two hymns’ are two short reflections on psalms 13 and 112.

for eight instruments and fixed media | 2019 | 6’

I started this project from a very pure place, just using the voice of Miss M. M. Williams (recorded 1959 in Idanfryn, Anglesey) singing of love and loss. ‘under the earth’ for eight instruments and tape explores the relationship between my world and one of the past.

for four tenor saxophones | 2018 | 6’

Written for the Tenor Saxophone Collective, ‘johannes’ for four tenor saxophones was presented at the World Saxophone Congress 2018 in Zagreb, Croatia.

Any combintaion of solo instruments (original scored for viola and violoncello) | 2017 | 2’ (minimum)

‘music that never ends’, originally written for viola and violoncello, is a flexibly-scored work of thirty counterpart cells each denoting an article from the Universal Declaration of Human Rights (1948).

for violin and viola | 2016 | 2’

‘Hildegard’s jig’ for violin and viola is dedicated to Judith Weir, and written for member of the Heath Quartet at Dartington International Summer School & Festival.

drones and chorus for eight instruments | 2016 | 9’30”

‘blind bells, cry out’ is a set of drones and choruses for eight instruments, inspired by sections of Bei Dao’s ‘winter travels’

for chamber ensemble | 2012 | 6’

Written for The PM Ensemble, this work is inspired by John Betjeman’s City: When the great bell / BOOMS over the Portland stone urn, and From the carved cedar wood Rises the odour of incense, I SIT DOWN […]

for string quartet | 2012 | 5’

Written for a workshop opportunity with Carducci Quartet at Cardiff University, this short work for string quartet is inspired by moments of Bernstein’s Mass.

for solo mezzo-soprano, SATB choir, percussion, timpani, and string orchestra | 2024 | 16’

Commissioned by the Three Choirs Festival, messages is a series of five movements which explore the ways in which messages have permeated our collective history, from one culture to another, one generation to another.

for SATB choir and organ | 2021 | 7’

This canticle setting - my first setting for choir and organ - was commissioned by Paul Layzell, Principal of Royal Holloway University of London for the Choir of Royal Holloway

for alto and organ | 2021 | 7’

Written as a gift for friends, Amy Blythe and Toby Ward, the ‘St. Sepulchre Service’ is an evensong setting for solo alto and organ.

for SATB choir and violin | 2021 | 3’

Commissioned by Llandaff Cathedral School Consort, in memory of our dear friend, Matt Barnaville, ‘open thou our lips’ for SATB choir and violin is a refection on psalm 51.

for SATB choir | 2020 | 10’

Written for National Youth Choirs of Great Britain Fellowship 2019-20, as part of the National Youth Choirs of Great Britain Young Composers Scheme 2019-20, ‘Morals + Interludes’ is a series of five short choral works about love, loss, and isolation.

for SATB choir (divided) | 2020 | 2’

Written for National Youth Choirs of Great Britain Fellowship 2019-20, as part of the National Youth Choirs of Great Britain Young Composers Scheme 2019-20, ‘This was mine’ is one of five short choral works from ‘Morals + Interludes’ about love, loss, and isolation.

for mezzo soprano and piano | 2020 | 4’

Commissioned and written for Helen Charlston, as part of The Isolation Songbook Project, ‘the way we go’ for mezzo-soprano and piano is a song written in collaboration with poet, Katharine Towers.

for baritone and piano | 2019 | 10’

Written for Jeremy Huw Williams and the Vale of Glamorgan Festival, ‘Pedair Cân o Forgannwg’ for baritone and piano is a setting of five Glamorganshire folk songs.

for SATB choir (divided) | 2017 | 4’

Commissioned by Choir & Organ, for their New Music Series (May/June edition 2017), the bright morning-star’ for SATB choir is an anthem setting of John Milton and Ezra 2:34-35.

for baritone and piano | 2016 | 6’

Written for the occasion of John Hugh Thomas' 80th birthday, ‘two fragments’ for baritone and piano is a setting of Sappho.

Commissioned and premiered by the joint choirs of the Church of St. Mary’s Redcliffe, Bristol, ‘woman. Mary.’ for SATB choir and chamber organ is an anthem after John 19:26 and Philippe de Grève.

for four voices (SATB) or small choir | 2015 | 5’

Written for dear friends, Nova Lux, ‘... and it was so.’ for four voices or small SATB choir is a part-setting and reflection on Genesis 1:1-31

for soprano and piano | 2014 | 4’30”

Written and selected for Jane Manning's Fringe Clinic, as part of the 2014 Tête-à-Tête Opera Festival

for SATB choir | 2013 | 4’

Written for David Geoffrey Them and the Parish Choir of Llandaff Cathedral, ‘Te lucis ante terminum’ is short anthem responding to Tallis’ work of the same title

for children’s choir and piano | 2023-24 | 2’

‘hope’ is a thing with feathers is a short song for young voices and piano, a setting of Emily Dickinson’s evocative poem of the same title which draws a symbolic link between birdsong and the indomitable (undefeatable) power of hope.

for massed voices, youth choir and piano | 2019 | 20’

Commissioned by the Welsh National Opera, as part of their Cradle Project, ‘turning tides’ is a large work for massed voices, youth choir and piano, taking memories of the local area and shared experiences as its starting point.

for SATB choir (divided) | 2019 | 12’

This work - ‘3 postcards’ - was developed for Swansea Philharmonic Choir as part of the Adopt-a-Composer scheme, funded by the PRS Foundation and the Philip and Dorothy Green Music Trust, and run by Making Music UK, in partnership with Sound and Music and BBC Radio 3.

installation for quadraphonic speaker set-up | 2019 | 6’

‘you.are.me’ is an installation work for quadrophonic speaker set-u, using the voices of residents at camp fr (Pyrenees, France) in May 2019

for eight instruments and fixed media | 2019 | 6’

I started this project from a very pure place, just using the voice of Miss M. M. Williams (recorded 1959 in Idanfryn, Anglesey) singing of love and loss. ‘under the earth’ for eight instruments and tape explores the relationship between my world and one of the past.

for fifteen instruments and film | 2023 | 8’

‘The day following’ is a work that allows us to reflect on memory, and specifically the memories of those whose communities have been taken from them. The music comes and goes. Snippets of old tunes are heard and buried. Distant hymns and church bells wash over us.

for string orchestra | 2021 | 4’

Our world is changing at an incomprehensible rate. What would happen if the ancient forms of our music are lost in translation? ‘lost song’ for string ensemble was written for members of the National Youth Orchestra of Wales.

scena for three voices and baroque ensemble | 2015 | 6’

‘compassion. love.’, a scena for three voices and baroque ensemble was selected and performed as Finalist of the National Centre for Early Music Young Composer Awards 2015, in partnership with BBC Radio 3.

for large ensemble | 2014 | 10’

‘dioscuri’ for large ensemble was written as part of the inaugural Composer Residency Programme with the National Youth Orchestra of Wales, in partnership with National Youth Arts Wales.

for piano quintet, flexible ensemble and 3 speakers | 2017 | 16’

‘two national anthems: it’s not working’ for piano quintet, flexible ensemble and 3 speakers, is the result of a collaboration with poet Selina Nwulu.

for large ensemble | 2015 | 10’

‘dioscuri’ for large ensemble is an adapted work, originally performed by the Cardiff Contemporary Music Group.

for three amplified voices and large ensemble | 2016-17 | 3’

Written for orkest de ereprijs and the 23rd International Composers’ Meeting, ‘we cannot let this stand’ for three amplified voices and large ensemble sets the words of then UK Prime Minister, Theresa May.

for large ensemble | 2014 | 5’

‘friction’ for large ensemble was commissioned by Sinfonia Newydd.

for solo mezzo-soprano, SATB choir, percussion, timpani, and string orchestra | 2024 | 16’

Commissioned by the Three Choirs Festival, messages is a series of five movements which explore the ways in which messages have permeated our collective history, from one culture to another, one generation to another.

for string orchestra | 2022 | 4’

Inspired by Christopher Soto’s ‘I’ve Been Yearning for a Riot’, pixelated in quick motion is a concert opener written for Britten Sinfonia’s мир / Peace 2022 Tour.

for baritone and chamber orchestra | 2019 | 10’

Commissioned by the Welsh Chamber Orchestra in association with Tŷ Cerdd, ‘Pedair Cân o Forgannwg’ for baritone and chamber orchestra is a setting of five Glamorganshire folk songs.

for solo organ | 2021 | 4’

‘storms don’t last forever’ is commissioned by Choir & Organ in partnership with the National Youth Choirs of Great Britain, for their New Music Series (May/June edition 2021)

for clarinet in Bb | 2019 | 6’

‘No other haven’ are a series of three short works for clarinet in Bb, commissioned by Nathan Isaac.

for clarinet in Bb | 2017 | 6’

Commissioned by Chris Gibbons, ‘national anthem [no. ii] for solo clarinet in Bb is the second in a series of ‘national anthems’.

for solo piano | 2016 | 4’

Written and selected finalist for William Howard's Love Songs Project Competition 2017, ‘love holds’ for solo piano is a reflection on Sappho.

for solo piano | 2020 | 2’

Written for Rolf Hind as part his lockdown project in spring/summer 2020, ‘somewhere’ for piano is a line and hymn reflecting Harold Arlen’s ‘Over the Rainbow’ from The Wizard of Oz.

for solo piano | 2019 | 4’

Written on retreat at camp 2019 under the supervision of Gavin Bryars, ‘homo’ for piano is a short reflection on Bryars’ Lauda 19.

for solo harp | 2017 | 4’30”

Shortlisted and performed as part of 2017 The Future Blend Project, ‘it was snowing butterflies’ for harp was written for Sophie Rocks.

for contrabass flute and fixed tape | 2016 | 5’

‘24. juni. Hamburg’ for solo contrabass flute with fixed tape electronics was written for and in collaboration with Carla Rees.

for solo piano | 2020 | 4’

A solo piano arrangement of 'iii. we used to' from 'turning tides', a multi-movement work for massed choirs and piano commissioned by the Welsh National Opera, as part of their Cradle Project.

for solo piano | 2018 | 2’

‘national anthem [no. iii] for solo piano is the third in a series of ‘national anthems’.

for solo organ | 2016 | 4’30”

“From heaven above to earth I come To bear good news to every home; Glad tidings of great joy I bring Whereof I now will say and sing:” ‘von Himmel hoch’ for solo organ is short voluntary after J. S. Bach.

for solo piano | 2016 | 20’

We all have ADHD these days. Life without conflict is a fraud. We all have to fight entropy, and refusing to engage in that battle is to ignore what makes us human. ‘things come apart’ for piano is a series of reflection on the photography of Todd McLellan.